alejandro cartagena✓

@halecar2

Artist, curator, and co-founder of @fellowshiptrust @dailydotxyz. GROUND RULES, mid-career retrospective: June 4th, 2026, in Fundación MAPFRE Madrid.

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  1. alejandro cartagena✓@halecar2
    New Acquisition: MoMA📍 I am thrilled to announce that the @MuseumModernArt has acquired the diptych of the Mother and Daughter from my Invisible Line series. It was acquired through the generosity of Lori Ordover via Kopeikin Gallery. I love to think about how these images and their story will now be preserved into the future and share wall space with works from many artists that have influenced the way I see the world. Daughter on the USA-Mexico Border Wall, at Friendship Park, California., Mother on the Mexico-USA Border Wall, Friendship Park, Playas de Tijuana, Mexico, 2017.
    İndir
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  2. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @musicalnetta: When I reposted these works awhile back, I had no idea my friend AP had collected them. These are extremely powerful works and if anyone has ever experienced this place you can't really put emotions into words. I'm so happy for artist and collector - both have much to celebrate!
    AP @WAPSHOP_ETH
    This is a very special acquisition for me. ❤️ These images have lived in my mind since I laid eyes on them, I've felt such a deep connection to them. I tear up every time I share the story behind these pieces and the artist @halecar2. Watching these works find their way into museum collections has been a highlight, and celebrating those milestones with Alejandro has made it more meaningful. And somehow, the universe worked its magic once again. Not only have I acquired the physical photographs, but their 1/1 NFTs as well. Welcome home, Invisible Line, Mother and Daughter. Literal tears as I type this. ❤️
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  3. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @canekzapata: Una de las cosas q más me gustó de hacer LET THE COMPUTER SING son ese babel lingüístico de los diálogos y textos, un poliglotismo idealizado q habla de mensajes q fallan y las conecciones afectivas; q remontandonos a la historia del medio es una de los pocos sueños rotos del internet: Unicode q nos permite trasmitir nuestras palabras en nuestros idiomas.
    ☁ @canekzapata
    gm un puerto libre = el cuerpo pulsa enter antes de entender la interfaz; return el ancho de banda de mañana; počítač čeká; člověk také; ambos inventan una señal
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  4. ☁✓@canekzapata
    gm un puerto libre = el cuerpo pulsa enter antes de entender la interfaz; return el ancho de banda de mañana; počítač čeká; člověk také; ambos inventan una señal
    İndir
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  5. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @WAPSHOP_ETH: This is a very special acquisition for me. ❤️ These images have lived in my mind since I laid eyes on them, I've felt such a deep connection to them. I tear up every time I share the story behind these pieces and the artist @halecar2. Watching these works find their way into museum collections has been a highlight, and celebrating those milestones with Alejandro has made it more meaningful. And somehow, the universe worked its magic once again. Not only have I acquired the physical photographs, but their 1/1 NFTs as well. Welcome home, Invisible Line, Mother and Daughter. Literal tears as I type this. ❤️
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  6. alejandro cartagena✓@halecar2
    NEW ACQUISITIONS I'm honored to announce the acquisition of Daughter on the USA-Mexico Border Wall, at Friendship Park, California., Mother on the Mexico-USA Border Wall, Friendship Park, Playas de Tijuana, Mexico, 2017, by @WAPSHOP_ETH. She has been one of my kindest and most caring collectors in recent years, and I could not be more honored that these works are now part of her collection. These are special works for me personally, emotionally, and politically. Our world is divided, and yet in that darkness, there is still hope for peace and change. I couldn't think of a better steward for these works than Wapshop. She is the first private collector to hold these works, apart from SFMOMA, MOMA, the Getty Museum, and the KADIST collection. Thank you @WAPSHOP_ETH for all you've done for me and for supporting my crazy ideas. You know how important this is for me.
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  7. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @endless_mazin: Check out my interview with Daily to learn more about the upcoming collection👇
    The Daily Program @dailydotxyz
    ✍️ Written interview with @endless_mazin Meet Mazin, a glitch and video artist whose practice explores the possibilities of experimental techniques, from databending and analog video synthesis to AI-generated imagery. Driven by curiosity and a spirit of discovery, he creates hypnotic, transforming landscapes where mountains, galaxies, rivers, and microscopic structures merge into fluid, otherworldly worlds. For the Daily series, Helezones, Mazin expands his exploration of the microcosm and macrocosm through continuous loopse, shifting forms, and stellar colors. Moving between abstraction, technology, and spirituality, his work invites us to reconsider our perception of scale, the connections between seemingly unrelated things, and the role of AI in extending human creative potential. ↓ Read the full interview below
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  8. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @dailydotxyz: 🎙️ Spaces Reminder To celebrate the launch of Crawlers, join us for a live conversation with Slava Rybin about his artistic practice and the ideas behind the project 🗓️October 28 at 12:00pm ET Set a reminder here
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  9. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @dailydotxyz: ✍️ Written interview with @endless_mazin Meet Mazin, a glitch and video artist whose practice explores the possibilities of experimental techniques, from databending and analog video synthesis to AI-generated imagery. Driven by curiosity and a spirit of discovery, he creates hypnotic, transforming landscapes where mountains, galaxies, rivers, and microscopic structures merge into fluid, otherworldly worlds. For the Daily series, Helezones, Mazin expands his exploration of the microcosm and macrocosm through continuous loopse, shifting forms, and stellar colors. Moving between abstraction, technology, and spirituality, his work invites us to reconsider our perception of scale, the connections between seemingly unrelated things, and the role of AI in extending human creative potential. ↓ Read the full interview below
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  10. alejandro cartagena✓@halecar2
    gm☀️ taking a Crawler by @rybinfx out for a walk in the MoMA site. nft pets that help you see the internet differently.
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  11. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @canekzapata: teclear 你好 y dejar que el monitor lo ilumine todo; luego dibujar un mapa de la red en una servilleta. la rete non collega computer: collega solitudini
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  12. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @dailydotxyz: "let cuerpo = document.querySelector('interfaz');const red = new Interface('m13'); red.listen(1996);l'Italia del 28.8 baud la conexión falla como fallan los poemas: por exceso de mundo" by @canekzapata → Now live 🔗
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  13. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @artxcode_io: Big congratulations to @Eko3316 and @LindaDouniaR on entering the @LACMA permanent collection for Latent Ink and Once Upon a Garden!
    Fellowship @fellowshiptrust
    Congratulations to all the artists whose work is now part of @LACMA’s permanent collection. Through the LACMA Digital Leaders Collection, Fellowship co-founder Neil Hutchinson has gifted 34 artworks from 13 artists, helping preserve these works of digital art and ideally bringing them into a broader art historical conversation. Congratulations again to everyone who contributed to this acquisition. To read the full press release, visit: ●Maya Man, FAKE IT TILL YOU MAKE IT #404 (2022) ●Rafaël Rozendaal, Homage #93 (2022) ●Diego Trujillo Pisanty, Blind Camera #20 and #91 (2024) ●EKO33, Latent Ink #074 (2024) ●Linda Dounia, Once Upon a Garden, F3-GNS03 First to Fifth Generation, tokens 96-100 (2024), 5 works ●Trevor Paglen, Evolved Hallucinations: FACECAP; The Purification of Lust #7 (Corpus: Terraces of Purgatory); Shadow #14 (Corpus: Things That Exist Negatively) (2024) ●Sofia Crespo, Critically Extant: Acilacris Furcatus (2021) ●Zach Lieberman, 100 Sunsets #52 (2022) ●Vera Molnár, Themes and Variations #92 (2023) ●Operator, Human Unreadable #76 (2023) ●Lauren Lee McCarthy, Seeing Voices #45 and #53 (2024) ●Sarah Meyohas, Infinite Petals 1x1 #11, 2x2 #1688, 3x3 #1414, 5x5 #20440, 10x10 #400 (2025) ●Yatreda (Kiya Tadele), Andromeda of Aethiopia, Volume II (2022), 10 works: Dalion #10/75, Avléos #54/75, Sadéos #38/75, Princess Andromeda #17/50, Queen Cassiopeia #3/50, Kérichos #3/75, Cetus #3/25, King Cepheus #10/50, Perseus #4/25, Andromeda - Constellation #2/13 @mayaonthenet @newrafael @dtpisanty @Eko3316 @LindaDouniaR @trevorpaglen @soficrespo91 @zachlieberman @operator_______ @SarahMeyohas @yatreda Rafaël Rozendaal, Homage #93 (2022) Trevor Paglen, Evolved Hallucinations: FACECAP; The Purification of Lust #7 (2024) Maya Man, FAKE IT TILL YOU MAKE IT #404 (2022) *Gift of Neil Hutchinson and Fellowship, founding member of LACMA Digital Leaders.
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  14. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @dailydotxyz: The Daily Program and @opensea present: → “Crawlers” by @rybinfx Crawlers are kinetic, interactive NFTs with feedback loops. The project introduces a simple generative system, a stripped-down LLM predictor, that reads and writes new content live as the Crawler explores its "wikipage-cave," offering viewers an opportunity to experience machine learning at its core. This is Slava's genesis project, and we are honored to host it. 🗓️ Launching this Thursday, October 29, 1:00 PM ET 🔗 ↓ This is everything you need to know about the collection
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  15. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @canekzapata: diff hoy.txt futuro.txt | mail nettime ; // сеть снится по-русски el escáner convierte una cara en rumor luminoso
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  16. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @Barbara_Chira: This is brilliant. And if I understand it correctly, collectors will be able take their crawlers on walks with them as they go about their daily activity of visiting websites. New and exciting.
    The Daily Program @dailydotxyz
    Coming soon → Crawlers by @rybinfx Launching in collaboration with @opensea
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  17. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @endless_mazin: Now available to collect on Daily - Reserve Ξ0.015 / Buy Now Ξ0.025
    『-』M░a░z░i░n 『-』 @endless_mazin
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  18. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @dailydotxyz: "What happens to meaning when information is detached from its original context and reorganized into new relationships? When machines continuously consume and generate content from what already exists, where does new knowledge begin? And in an internet increasingly populated by machines reading and writing for other machines, what role remains for the human observer?" "Crawlers" series by @rybinfx Launching next week Thursday, Oct 29th 🗓️
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  19. alejandro cartagena✓@halecar2
    I like this crawler that destroys everything... crawler-monster 😍
    İndir
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  20. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @fellowshiptrust: Congratulations to all the artists whose work is now part of @LACMA’s permanent collection. Through the LACMA Digital Leaders Collection, Fellowship co-founder Neil Hutchinson has gifted 34 artworks from 13 artists, helping preserve these works of digital art and ideally bringing them into a broader art historical conversation. Congratulations again to everyone who contributed to this acquisition. To read the full press release, visit: ●Maya Man, FAKE IT TILL YOU MAKE IT #404 (2022) ●Rafaël Rozendaal, Homage #93 (2022) ●Diego Trujillo Pisanty, Blind Camera #20 and #91 (2024) ●EKO33, Latent Ink #074 (2024) ●Linda Dounia, Once Upon a Garden, F3-GNS03 First to Fifth Generation, tokens 96-100 (2024), 5 works ●Trevor Paglen, Evolved Hallucinations: FACECAP; The Purification of Lust #7 (Corpus: Terraces of Purgatory); Shadow #14 (Corpus: Things That Exist Negatively) (2024) ●Sofia Crespo, Critically Extant: Acilacris Furcatus (2021) ●Zach Lieberman, 100 Sunsets #52 (2022) ●Vera Molnár, Themes and Variations #92 (2023) ●Operator, Human Unreadable #76 (2023) ●Lauren Lee McCarthy, Seeing Voices #45 and #53 (2024) ●Sarah Meyohas, Infinite Petals 1x1 #11, 2x2 #1688, 3x3 #1414, 5x5 #20440, 10x10 #400 (2025) ●Yatreda (Kiya Tadele), Andromeda of Aethiopia, Volume II (2022), 10 works: Dalion #10/75, Avléos #54/75, Sadéos #38/75, Princess Andromeda #17/50, Queen Cassiopeia #3/50, Kérichos #3/75, Cetus #3/25, King Cepheus #10/50, Perseus #4/25, Andromeda - Constellation #2/13 @mayaonthenet @newrafael @dtpisanty @Eko3316 @LindaDouniaR @trevorpaglen @soficrespo91 @zachlieberman @operator_______ @SarahMeyohas @yatreda Rafaël Rozendaal, Homage #93 (2022) Trevor Paglen, Evolved Hallucinations: FACECAP; The Purification of Lust #7 (2024) Maya Man, FAKE IT TILL YOU MAKE IT #404 (2022) *Gift of Neil Hutchinson and Fellowship, founding member of LACMA Digital Leaders.
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  21. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @24_Hours_Art: 🖼️ 24 HOURS OF ART 📊 October 23, 2026 - 'Construction Token #472' by @jeffgdavis - 'Chromie #5696' by @ArtOnBlockchain - 'Meridian #475' by @mattdesl - 'Smoke and Mirrors #33. Three of Staffs' by @justinaversano, collected by @ivoDYOR - 'x | o 72' by @hollyherndon, collected by @ivoDYOR - 'E X P O S U R E' by @XCOPYART - 'Go And Live' by @ebrahimelmii, collected by @Jeni_Pepen - 'take a seat.' by @deltasauce x @woodificouldart, collected by @LeValleyKelly - 'Neither Here Nor Gone' by @byGsen, collected by @iamcfw
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  22. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @NaughtalieStone: Calling all artists, a new grant from @rhizome supported by @larvalabs: PERMANENCE. This is a very "Matt & John" brief ;) Larva tries to make everything they do truly durable. If almost everything around the work disappeared (the website, the company, the software, and maybe even the infrastructure it depended on), they still try to provide a way for the work to persevere. There is no perfect solution and every approach will have flaws. Blockchains like Ethereum offer one answer: convince a lot of people to care about something and offer incentives to keep preserving data together. Some solutions could rely on a physical approach. Think of the Rosetta Stone, using only a type of local granite, it retained a way to unlock the information it contained. It also illustrates that physical and informational durability are two different aspects of this challenge. Now it's your turn, make something permanent. Apply by November 20!
    Rhizome @rhizome
    ⛳️Rhizome microgrants are open! Apply by November 20 for grants between $500- 1500! We invite proposals in the following categories: 🫆PERMANENCE, in partnership with @larvalabs,🛠️MISUSE, ✋HANDMADE & 💬CO-OP. Visit for more details + to apply!
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  23. Rhizome@rhizome
    ⛳️Rhizome microgrants are open! Apply by November 20 for grants between $500- 1500! We invite proposals in the following categories: 🫆PERMANENCE, in partnership with @larvalabs,🛠️MISUSE, ✋HANDMADE & 💬CO-OP. Visit for more details + to apply!
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  24. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @dailydotxyz: 🫴 Artists You Should Know: @endless_mazin Mazin is an artist, writer, and worldbuilder whose work explores glitch art, databending, and experimental digital forms. With his latest collection launching on Daily on Monday, October 26, here’s a look at his journey ↓
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  25. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @briandroitcour: Outland Season 1 is now in print! tomorrow i'm heading to Art Blocks Marfa Weekend, where i'll sell copies at the artists' fair on friday. after i get back i'll send copies to subscribers and set up a page for online orders. and i'm planning a new york launch event for dec.!
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  26. alejandro cartagena✓@halecar2
    alejandro cartagena
    RT @dailydotxyz: 🚨 Launching today: → “Helezones” by @endless_mazin 👤 🔗 Today we’ll be releasing “Helezones” at 1PM ET, a new exhibition by @endless_mazin of endlessly morphing cosmic landscapes made with custom generative workflows. Mazin is an artist, writer, and worldbuilder who has worked with glitch art for ten years. His methods include databending, ROM corruption, generative art, and analog glitch, and he builds narrative backgrounds into his pieces. He treats errors as a starting point for new work. Past projects include Harsh Realm, a[sync]hron, Morphogenesis, and M4SHiN. In Helezones, mountains, rivers, and galaxies emerge from one another and dissolve back into visual noise. The title combines the Turkish word for spiral with the word zones. Mazin treats the limits of early diffusion models, such as soft textures, incoherent details, and unstable forms, as a deliberate visual language. The works ask what these imperfections might reveal about how we imagine the cosmos, and about the limits of our own imagination. No form stays fixed. 🗓️ Launching on Monday, October 26, 2026 at 1PM ET. → 55 artworks → Reserve Ξ0.015 / Buy Now Ξ0.025
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