TechHalla✓

For whom the bell tolls (1977)

the party has just started

Cowboys from hell (1953)

Chop Suey! (1943)

this cannot be stopped

RT @techhalla: editing stopped being the hard part Magnific Move dropped and this tutorial shows how to squeeze the most out of it 🧵

Freak on a leash (1973, Andalusia)

Wait and bleed (1971) make your own with H3 this way 👇

another tutorial, this time on how to master motion design with AI!

just posted a new tutorial on how to use AI for editing clips!

Step 2: one prompt to Move with the words, the palette (or brand kit) and what happens in each part of the song. Then edit just by talking: click a frame, say what you want, get a new version. v1 → v7, all from comments.

This is just one example with 5 different motion designs, but Move comes with tons of templates you can use. From there, the only limit is your imagination and creativity! Try Magnific Move now 👇

RT @magnific: Meet Magnific Move: motion graphics you can talk to Animated charts, launch videos, logo reveals. Type what you want, say what to change, and make it move with agentic video editing Every layer stays editable, see it in action

another banger

RT @Hailuo_AI: Somewhere in an alternate 1971, this was a soul classic. 🫡

RT @techhalla: Toxicity (1974)

Some of you have been asking how I make these videos, so I just posted a tutorial!

The workflow is ridiculously simple. First, chop your song up into 15-second chunks, and make sure each chunk starts one second before the previous one ends. Why? So when we animate everything, we’ve got a little extra at the beginning to work with and can stitch it all together properly. Next, we’ll need a reference image. Yep, just one. In this case, I used the one you see attached. And that’s pretty much everything we need! Now just use H3 Max on @Hailuo_AI Minimax Design to animate the clips. Take the 15-second audio reference and the image, then use a prompt like this one, with multiple shots to keep the clip dynamic, so there’s always something happening and, most importantly, everything stays perfectly synced to the vocals. 🗒️ Prompt: Multi-shot sequence with hard cuts between 5 distinct shots, 15 seconds total, continuing the same 1972 recording session. Authentic 16mm documentary footage inside a Detroit soul recording studio, cinéma vérité. The singer from [image_ref] (same face, flat slick pressed hair on top with huge round afro puffs on the sides, giant fluffy mutton-chop sideburns, burgundy velvet three-piece suit, ruffled tuxedo shirt, big bow tie, gold ring) sings the vocals of [audio_ref] from the very first second to the end, perfectly lip-synced word by word in every shot where his mouth is visible. His intensity grows shot by shot, building to a climax in the last shot. Handheld shoulder-mounted camera in every shot: slight wobble, small unplanned reframes, occasional focus hunting. Shot 1 (0-3s) extreme close-up of his mouth and giant sideburn right behind the ribbon microphone grille, singing softly and intimately. Shot 2 (3-6s) over-the-shoulder from behind him: the back of his head and the afro puffs in the foreground, the music stand with lyric sheets, and the control room glass beyond, where the engineer nods to the beat. Shot 3 (6-9s) medium shot from the side: he steps back from the mic and leans in again, his free hand pounding his chest to the rhythm, singing harder. Shot 4 (9-12s) handheld crash zoom from medium shot into a close-up of his face, sweat starting to shine on his forehead, singing with his eyes shut tight. Shot 5 (12-15s) low angle from below the mic: he throws his head back and belts the peak of [audio_ref] with his mouth wide open, veins on his neck, the afro puffs against the ceiling tiles, one hand reaching up and trembling. Look: real 1970s 16mm color negative film, warm tungsten studio light, slightly faded Eastman colors, natural fine film grain, soft contrast, gentle highlight bloom. Clean print: no scratches, no dust, no burns, no flicker, no light leaks, no frame jumps. Natural, unposed, believable. No modern elements, no text, no logos, no music video glamour. For this clip, I made 14 in total, and each one takes around 30 seconds to generate... insane! Hope you find it useful 🫡