GRIDA

You can't join my show if you don't keep the guidelines and deadline I don't care who you are. It's the basic.

GM :) Today at the Musée Cernuschi, some of the most celebrated figures in Korean art came together, including Lee Ufan, Lee Bae, and Shim Moon-seup. 🖤🤍

RT @heft_gallery: Lightfields Studies A rare digital series by Zach Lieberman 1/1/56 0.2 eth / $500 each 18 of 56 remaining Public mint on Heft and Verse

RT @shavonnewong_: one of my works, field, is hanging at asia now in paris this week with gallery bygrida. i’m not there in person, so if you go and see it, take a photo with it!!

RT @objktcom: @RaquelGaudard — There’s something of a memento mori in your work, even in all those neon colors. Is death something you think about often, both in your art and in your life? @ALIENQUEENART — Yes, death is something I think about often, both personally and in my work. Growing up in a family that survived the Cambodian genocide, death and survival have always been part of my understanding of life. But I don’t see death as purely dark or morbid. It’s a reminder that life is temporary and that we’re all sharing the same human experience. That’s why I often combine imagery of death, skulls, and impermanence with bright, psychedelic colors and playful characters. There’s beauty, humor, chaos, and life alongside death, and I think my work reflects that tension. Midnight Ramen.exe, 2026. Still from the animation presented in Faces, curated @bygrida for @AsiaNow_Paris at Monnaie de Paris. Released via @objktone.

RT @objktcom: ✦ ON OBJKT AND BEYOND ✦ If you’re in Paris for Art Basel week, familiar names are showing across the city. @bygrida presents Faces at @AsiaNow_Paris in partnership with @artontezos_, while @aurecevettier, @lovidlovid and @WendiYan5 are showing elsewhere—each with a connection to objkt. Here’s where those paths meet. ↓

RT @ALIENQUEENART: gm ☀️ Paris edition 🇫🇷 Midnight Ramen 🍜 my first Tezos drop, part of FACES exhibition @bygrida during Paris Art Week. two friends. one offline moment. forever online. 🖤 OE/ 69 tz

RT @shavonnewong_: Field went from the print studio table to the wall at ASIA NOW, and I'm so happy to see it hanging in Paris right beside @reuben_wu's work! It's the largest work in "Ophelia, Reframed" at 80 × 100 cm and a single unique print, up at booth R03 with Gallery @bygrida until 24 October. If you're interested in collecting it or any of the other six works, please reach out to @bygrida.

GM :) We are ready! See you tomorrow! More info:

RT @shavonnewong_: Suspension, 2026 40 × 50 cm The scene is set at sunset for this one, and the AI swung the camera sideways as it framed her, so her face catches the last of the light just above the water while everything around her is dragged into streaks. The blur came from what I asked the AI for, imperfect and unsteady images, and it chose where to put the camera to make them. From "Ophelia, Reframed", presented with Gallery @bygrida at ASIA NOW, Monnaie de Paris, 20 to 24 October 2026. #DellProPrecision #DellTech #NVIDIA

RT @redbeardnft: Dear David, @madebyoona will make you very happy and definitely keep on your toes This is how we commit to the art

RT @artblocks_io: Lagrange Bend by @dotjiwa utilizes Ethereum standard ERC-8048, streamlining onchain storage of metadata and facilitating information exchange for autonomous agents.  Each of the 400 rooms in the artwork series is agentic, meaning owners can interact with the rooms and partner with agents to uncover hidden secrets stored in the data.  Now minting on @opensea. Explore the collection on Art Blocks Studio. 👇

RT @zachlieberman: “What light may be” This wed Oct 14th 6-9pm @heft_gallery 300 Broome

GM :) I put so much effort into bringing this incredible group together for our session! See you on the 22nd! A huge thank you to Asia NOW @AsiaNow_Paris for giving me the platform to curate and set up this stage. More information :)👇

RT @AndresgallardoP: Paris Photo, here we go! I'm thrilled to announce that I will be part of MEMORY MATTER MEDIA exhibition at @ParisPhotoFair next month with @bygrida Korea has such a special place in my heart so I'm incredibly grateful for this opportunity and to be part of this curation. ♥️

RT @enigmatriz:

GM! We participating in Asia NOW :)! If you'll be in Paris next week from the 19th to the 24th, please email me! contact@bygrida.com I'll send you an invitation! (Please let me know which day you can come!) see you soon :)!

RT @shavonnewong_: Encounter, 2026 40 × 50 cm The closest the camera got, and the least of her it recorded. From "Ophelia, Reframed", presented with Gallery @bygrida at ASIA NOW, Monnaie de Paris, 20 to 24 October 2026. #DellProPrecision #DellTech #NVIDIA

RT @bygrida: GM :) Asian digital artists are coming soon to @AsiaNow_Paris ✨ @Reuben_Wu @shavonnewong_ @niceaunties @ALIENQUEENART @MrMisang @Polygon1993 and #hemyeong

RT @shavonnewong_: I gave an AI voice a script made from what other people had written about Ophelia. It ranged from academic writing to casual online commentary, all with the same voice reading all of it. It sounded like one coherent narrative, even though it has been assembled from different people's interpretations of her. Those borrowed words became part of "Ophelia, Retold", one of the two video works that began "After Ophelia" in 2025. The other is "Ophelia, Reassembled". This year, I’m continuing the project with a new series called "Ophelia, Reframed"!