Sean Bonner🔥✓

My weird shared canvas web art project is live. I hope you'll check it out and participate, in fact the whole things depends on you doing just that. I'm trusting you to make it happen.

THE CANVAS IS OPEN.

RT @tonyherrera: It was great to see @NEORT in Marfa and the Quietus Machine exhibition in the @artblocks_io House was truly special, please come back. 🙏 Can't wait to see what you guys have in store for next year, but I can only imagine that it's bigger and better than what I witnessed this year. Kudos to you @NORIWTS and @toshiaki_takase, as well as @themassagejp for his excellent curation. Feeling privileged to witness your collaboration with @ArtOnBlockchain which is resulting in such a special East-West connection for generative art paired with physical devices.

We hope to be back > MARFA @neort_io @ArtOnBlockchain @toshiaki_takase @themassagejp

Looks like @AllCityBAYC still holding first place on

I ran 889 in Marfa Run as Seanbonner. Card #15 is on-chain:

Marfa week is hosted by @artblocks_io which was born from @cryptopunks. @AdamWeitsman who is one of the most active patrons in the space, who bought dozens of works directly from the artists all week, organizes an incredible drone show celebrating works from @lphaCentauriKid @beeple @SamSpratt @ArtOnBlockchain and others, and this is how some people react:

please do not ruin marfa with this belligerent, tasteless PFP party culture shit

@artblocks_io @cryptopunks @AdamWeitsman @lphaCentauriKid I'll take an art collector drawing attention to artists and work they love over a grumpy hater any day.

RT @nullinger: I loved Marfa and I love all of you but I have to confess that there was one of you that I loved the most. ⬇️ ⬇️⬇️

Back from Marfa, sans luggage which is apparently still in transit. I never check bags because they always get lost, this time I had some larger art and things and got talked into it at the airport and now there's no one who can answer a question about it and everyone is pointing at someone else who is unaccountable.

RT @larvalabs: Since 2014, @Rhizome has awarded small grants to support the creation of new web-based works. This year, we’re partnering on a new category for the 2026 open call: PERMANENCE. Digital work can depend on a surprisingly fragile set of conditions, hence why @Rhizome has spent decades thinking about how digital art is best preserved. Maybe permanence is technical? Maybe permanence is material? Maybe permanence depends on a community continuing to care? Or maybe it is something else entirely? Apply by November 20th at Make something built to endure.

⛳️Rhizome microgrants are open! Apply by November 20 for grants between $500- 1500! We invite proposals in the following categories: 🫆PERMANENCE, in partnership with @larvalabs,🛠️MISUSE, ✋HANDMADE & 💬CO-OP. Visit for more details + to apply!

RT @A_Mashiro_nft: Another edition has sold! 🌊 Thank you, @thehomiejeff2 ! I’m so excited to send this piece to you from Tokyo. I hope you’ll love it! Only 2 editions of Summer Waves remain.

The price has been adjusted to reflect the current ETH price, and the sales page now has a new URL. Summer Waves is currently available as an edition pairing an NFT with a 24 × 36-inch physical print combining giclée and silkscreen. Only 4 editions remain 🌊

Share a black & white photo for Monochrome Monday… or Tuesday 😎

Share a black & white photo for Monochrome Monday… or Tuesday 😎

RT @seanbonner: The most recurring theme in so many conversations I had this week in Marfa: Everyone hates the social media algorithm.

RT @Coldie: Do you know about art? I mean, for real. Do you know who are important in the contemporary art world? There is a collection of 7,398 generative works. Sounds like a lot, eh? Well compared to the artists in this space that is nuthing. I was able to collect #2 most rare. Its clean af and I dont care who wants it. Shepard Fairey is the goat and Im honored to have this in my collection..

Another Marfa in the books.

On a long enough timeline the survival rate for everyone drops to zero

RT @dutchtide: Marfa reflections (1/2) Man there is much to say. Before I visited, I had my apprehensions. A town in the middle of the desert? The flight time. The cost. It was a lot. And the current image of the States isn't exactly.. welcoming. Let's put it like that. Yet. Once @GTSewell invited me I pulled the trigger. Hearing what he had put on the line inspired me. We had never met. And honestly, the only reason we did is because he put out a call for fellow artists to join him on his journey. And man am I glad I did. Once I arrived in this small oasis I was stunned by its beauty. The drive there a landscape of windswept plains and distant hills. They say everything is bigger in Texas. And let me tell you. It's true. The sky was breathtaking. As I wandered the town, I felt somewhat lonely. I have to be honest with you guys. Most events for me have been lonely. As much as I love connecting. Even though I'd meet people, it always felt like I was fighting to be included. A strange thing to say, as many people seem to know me. It made me doubt myself at times. I half expected Marfa to be the same. Then the Aussies showed up. And from that moment onward, the weekend began. Not just the most fun fucking people. But genuinely a good group. It's not about transactions. It's not "I try to climb a status ladder" or "I will talk to them to pitch or sell". It's "Where are you coming from? Tell me more about you, your practice, what's your story?" The gallery was set up with a different vision. Possibly in the most indie cryptoart style, aka the best vision. Maximalism in art. No white wall. Art. Art. Art. From all over. I opted for showing my most recent piece, where @Abelwares and @JLArtsphere made a massive difference in my presentation. They helped me build the frame for the piece on the spot. A massive thanks to these legends. @A_Giant_Swan, an absolutely amazing artist, was my neighbor on the wall and we quickly hit it off. Good laughs throughout the weekend. (Many more amazing neighbours, but too many to name) Marfa is different from every event I've been to in this space. Not only because of its people. But because of its layout. An event like this could never happen in NYC or Singapore. Not because the cities are not dope. But because they are too large to be intimate. The journey here acts as a filter, as @seanbonner said to me. Genuine people make their way here. @LeValleyKelly @deltasauce @natealex (and again, so many more, efteling people, skater man pls comment) To finally see each other after many years of hiding behind the screen. Conversations hit an emotional snare for me, as with @MattKaneArtist and @MathieuFrance, who both gave me insightful advice and thoughts to ponder. The art was the conversation. But the connection felt here was genuine. Real. Something I have found hard to come by. I realised that this online world we live in is hardly a representation of us. I think this algorithm divides us. But this event has shown me what actually matters in this space. And let me tell you, it's not the floor price. It's not the number go up. It's not the supply. The demand. It's not the rarity. It's not even the art. Part 2 below.

Marfa highlight IYKYK

gm from here

"We are the resistance" by Vanessa Witter

Nothing like an Airbnb with absolutely off the chain water pressure to realize how bad the pressure is back home.