- Damjanski 🥳@DamjanskiDamjanski 🥳RT @lovidlovid: digital art exhibitions I'm looking forward to seeing opening this week in NY: @Damjanski at @picturextheoryx LaJuné McMillian at @bitforms Nick Hallett at Klaus von Nichtssagend Gallery0102
- Damjanski 🥳@DamjanskiThis Thursday, I am opening my exhibition "The Portrait Show" at @picturextheoryx from 6-8pm in NY – come by 🥳 📆 Thursday, October 29 ⏰ 6-8pm 📍 548 W28 Street Suite 238, New York
014145 - Damjanski 🥳@DamjanskiDamjanski 🥳RT @sofiagarcia_io: Easily the best week of my life. More written thoughts to come, but I needed to say that In the meantime, I’ll be hopping on with @RogerDickerman today at 1PM ET to discuss the show (and more) See you there? <3012015
- Damjanski 🥳@DamjanskiDamjanski 🥳RT @fellowshiptrust: WEBSITES WEBSITES WEBSITES (WWW!) Now on view at 📍 39 Great Jones St, NY @artxcode_io @rhizome Piece → "Humans Not Invited" (2019) by @Damjanski 🔗 This artwork upends the traditional hierarchy of the internet by excluding human users and welcoming only artificial agents. Operating as a "reverse CAPTCHA," the web-based installation forces visitors to complete a visual recognition test specifically calibrated to fail human perception while remaining legible to automated scripts.03013
- Damjanski 🥳@DamjanskiFor the 30th anniversary of @rhizome "Websites, Websites, Websites!", I am showing: Humans Not Invited, 2019 (link below) Tysm @sofiagarcia_io, Vienna Kim, @benoit_tokyo_ @michael_connor @fellowshiptrust @artxcode_io Check out the exhibition with a bunch of my fav net artist!
2521459 - Damjanski 🥳@DamjanskiDamjanski 🥳RT @lampwrecked_: The websiteswebsiteswebsites exhibition was awesome. Cheers to curators @sofiagarcia_io @bennavkim and @benoit_tokyo_ The exhibition is up until the 27th and definitely worth a visit. Pictures do none of the pieces justice you can interact with them directly on the exhibition site. Works below by @Damjanski @0xShiroi @kimasendorf and @100o11104011
- Damjanski 🥳@DamjanskiDamjanski 🥳RT @saintsonso: This is truly *Modern* art.Fellowship @fellowshiptrust→ Humans Not Invited (2019) by @Damjanski 🔗 This artwork upends the traditional hierarchy of the internet by excluding human users and welcoming only artificial agents. Operating as a "reverse CAPTCHA," the web-based installation forces visitors to complete a visual recognition test specifically calibrated to fail human perception while remaining legible to automated scripts.04012
Posts @fellowshiptrust→ Humans Not Invited (2019) by @Damjanski 🔗 This artwork upends the traditional hierarchy of the internet by excluding human users and welcoming only artificial agents. Operating as a "reverse CAPTCHA," the web-based installation forces visitors to complete a visual recognition test specifically calibrated to fail human perception while remaining legible to automated scripts.
14182.2K- Damjanski 🥳@Damjanski🤖Fellowship @fellowshiptrust→ Humans Not Invited (2019) by @Damjanski 🔗 This artwork upends the traditional hierarchy of the internet by excluding human users and welcoming only artificial agents. Operating as a "reverse CAPTCHA," the web-based installation forces visitors to complete a visual recognition test specifically calibrated to fail human perception while remaining legible to automated scripts.1113549
- Damjanski 🥳@DamjanskiDamjanski 🥳RT @fellowshiptrust: ⭑ Anarchy Colloquially referred to as the ‘Wild West’ era of the internet, the 1990s and early 2000s were known to be a period of productive creative output and experimentation. The origins of were conceived in the 90s, and, inheriting the DIY and experimental ethos of the internet at this time, the artists that were a part of the movement were anti-institutional in nature. Artists used websites for unruly experiments, stolen material, political provocation and irreverent humour. Anarchy carries that spirit across generations of artists. Here, software is deliberately misused, familiar interfaces turn against their users and the internet’s stranger corners become artistic material. Some works confront authority directly; others simply refuse to behave. What connects them is a willingness to treat the web as something open to interference, a place whose rules anyone can rewrite. WORKS: → History for the Blind (2026) by @supperman → Humans Not Invited (2019) by @Damjanski → 2010 Pose Idea (2026) by @mollysoda → Honey, I Blew Up My Tits (2021) by @lm_netwebs → untitled[rhizome] (2000) by @JanRobertLeegte04011
- Damjanski 🥳@Damjanskithis Friday: 𝗞𝗔𝗶𝗥𝗔𝗶𝗢𝗞𝗘 Brainrot Edition 👟🦈👟🧠🔥🌀🗿 An Ai Live Performance @ the roof of @index_space_org in Greenpoint – come by and sing with us 🧠🗣💀🧟♂️💅 🗓️ Friday, September 18 ⏰ 7-10pm 📍 698 Manhattan Ave, Brooklyn 🧠🗣🔥🔥🔥🫲6 7🫱3111224
- Damjanski 🥳@DamjanskiDamjanski 🥳RT @fellowshiptrust: Artists You Should Know → .✦ ݁˖ @Damjanski .✦ ݁˖ Damjanski is an artist living in a browser. Born in Sarajevo, raised in Hamburg and based in New York, he works with themes of power, poetry and participation, exploring the concept of apps as artworks and the illogical connections buried in everyday digital life. His pieces take the form of websites, browser extensions, apps and unauthorized galleries, things you don't look at so much as run into. His method is a kind of deadpan sabotage: he takes an ordinary piece of internet infrastructure, a CAPTCHA, an age gate, a camera app, a Facebook prompt, a museum wall, and inverts the logic just enough to expose what it was always doing. The work is funny first and unsettling second, and it usually escapes the art world entirely, spreading through Hacker News and Reddit before it reaches a gallery. He is a co-founder of the artist collective Do Something Good and a NEW INC member. His work has been shown at the New Museum, Pioneer Works, HeK Basel, NRW-Forum, König Galerie, Roehrs & Boetsch, TRANSFER, SPRING/BREAK and Import Projects. He will be part of WEBSITES WEBSITES WEBSITES! (WWW!) Opening September 21st in NY. ↓ Below is an overview of his past projects04011
- Damjanski 🥳@Damjanski<3 @nonperformantFellowship @fellowshiptrustArtists You Should Know → .✦ ݁˖ @nonperformant .✦ ݁˖ Chia Amisola (b. 2000, Manila) is an artist devoted to the internet's loss, love, labor and liberation, particularly of the third world experience. Their work unravels the systems and narratives that condition and emerge from technology, and the intimacies and infrastructures underneath them. They make websites, games, hypertexts and performances, and treat the browser itself as material: windows, tabs and domains are things to be composed, not just containers. Their practice is grounded in research and worldbuilding: they draw on Philippine history, Catholic devotion, domestic life and the invisible labor behind digital infrastructure, then build software, tools and institutions that make room for other people inside those worlds. The recurring subjects are labor, love, faith and life on a networked archipelago. They hold a BA in Computing and the Arts from Yale, won the 2024 Lumen Prize Moving Image Award, and are a Forbes 30 Under 30 Asia honoree. Their work has been presented at the V&A and Tate Britain, Transmediale, Tai Kwun, Gray Area and the Internet Archive, and Art Fair Philippines. They founded and direct Developh, a research and arts institution for critical technology practice in the Philippines and Southeast Asia, and design creative tooling at Figma. They will be part of WEBSITES WEBSITES WEBSITES! (WWW!) Opening September 21st in NY. ↓ Below is an overview of their past projects109477
- Artists You Should Know → .✦ ݁˖ @nonperformant .✦ ݁˖ Chia Amisola (b. 2000, Manila) is an artist devoted to the internet's loss, love, labor and liberation, particularly of the third world experience. Their work unravels the systems and narratives that condition and emerge from technology, and the intimacies and infrastructures underneath them. They make websites, games, hypertexts and performances, and treat the browser itself as material: windows, tabs and domains are things to be composed, not just containers. Their practice is grounded in research and worldbuilding: they draw on Philippine history, Catholic devotion, domestic life and the invisible labor behind digital infrastructure, then build software, tools and institutions that make room for other people inside those worlds. The recurring subjects are labor, love, faith and life on a networked archipelago. They hold a BA in Computing and the Arts from Yale, won the 2024 Lumen Prize Moving Image Award, and are a Forbes 30 Under 30 Asia honoree. Their work has been presented at the V&A and Tate Britain, Transmediale, Tai Kwun, Gray Area and the Internet Archive, and Art Fair Philippines. They founded and direct Developh, a research and arts institution for critical technology practice in the Philippines and Southeast Asia, and design creative tooling at Figma. They will be part of WEBSITES WEBSITES WEBSITES! (WWW!) Opening September 21st in NY. ↓ Below is an overview of their past projects
3106110.4K - Damjanski 🥳@Damjanski<3<3<3ARTXCODE @artxcode_ioARTXCODE (@artxcode_io), in partnership with Rhizome (@rhizome), is pleased to announce the artists of WEBSITES WEBSITES WEBSITES! (WWW!), a group exhibition curated by Sofia Garcia (@sofiagarcia_io) of ARTXCODE and Vienna Kim (@bennavkim) and Benoît Palop (@benoit_tokyo_) of LAN Party, celebrating the website as an artistic medium and marking the 30th anniversary of Rhizome, the pioneering institution for born-digital art and culture. The exhibition features works by 0xfff, Chia Amisola, Kim Asendorf, Mika Ben Amar, Petra Cortright, Vuk Ćosić, Damjanski, Simon Denny, EXONEMO, Sarah Friend, Auriea Harvey, SHAWNÉ MICHAELAIN HOLLOWAY, Jan Robert Leegte, LIA, Maya Man, Lorna Mills, Nolen Royalty, Rafaël Rozendaal, Luke Shannon, and Molly Soda. Together they span three decades of practice on the web, from the playful interventions of 1990s pioneers to the poetic web experiments of artists navigating today’s algorithmically saturated internet. Presented as live websites installed physically across the gallery and online, WWW! bridges generations of artists to show how the website remains a radical artistic space: one that belongs to no platform and answers to no algorithm. On view September 21–27, 2026, with an opening reception on Monday, September 21, 6–9PM, at 39 Great Jones St, New York. Works will be available for direct acquisition throughout the run of the exhibition, in-person or online, via Fellowship (@fellowshiptrust), with a portion of proceeds benefiting Rhizome’s work as a memory institution for digital art. The venue for this exhibition was graciously provided by New International Picture Company.029364
ARTXCODE@artxcode_ioARTXCODE (@artxcode_io), in partnership with Rhizome (@rhizome), is pleased to announce the artists of WEBSITES WEBSITES WEBSITES! (WWW!), a group exhibition curated by Sofia Garcia (@sofiagarcia_io) of ARTXCODE and Vienna Kim (@bennavkim) and Benoît Palop (@benoit_tokyo_) of LAN Party, celebrating the website as an artistic medium and marking the 30th anniversary of Rhizome, the pioneering institution for born-digital art and culture. The exhibition features works by 0xfff, Chia Amisola, Kim Asendorf, Mika Ben Amar, Petra Cortright, Vuk Ćosić, Damjanski, Simon Denny, EXONEMO, Sarah Friend, Auriea Harvey, SHAWNÉ MICHAELAIN HOLLOWAY, Jan Robert Leegte, LIA, Maya Man, Lorna Mills, Nolen Royalty, Rafaël Rozendaal, Luke Shannon, and Molly Soda. Together they span three decades of practice on the web, from the playful interventions of 1990s pioneers to the poetic web experiments of artists navigating today’s algorithmically saturated internet. Presented as live websites installed physically across the gallery and online, WWW! bridges generations of artists to show how the website remains a radical artistic space: one that belongs to no platform and answers to no algorithm. On view September 21–27, 2026, with an opening reception on Monday, September 21, 6–9PM, at 39 Great Jones St, New York. Works will be available for direct acquisition throughout the run of the exhibition, in-person or online, via Fellowship (@fellowshiptrust), with a portion of proceeds benefiting Rhizome’s work as a memory institution for digital art. The venue for this exhibition was graciously provided by New International Picture Company.
174718226.7K- Damjanski 🥳@DamjanskiDamjanski 🥳RT @fellowshiptrust: WEBSITES WEBSITES WEBSITES! (WWW!) 🚨 We're pleased to share the artist list for the group exhibition opening later this month in NY. Organized in partnership with @artxcode_io and @rhizome, to celebrate Rhizome's 30th anniversary as a pioneering institution for the appreciation and preservation of digital art and culture. The exhibition was curated by @sofiagarcia_io of ARTXCODE and @bennavkim and @benoittokyo of LAN Party. The artist list spans three decades of practice on the web: @0xShiroi, @nonperformant, @kimasendorf, @100o111, @petracortright, @supperman, @Damjanski, @dennnnnnnnny, @exonemo, @isthisanart_, Auriea Harvey, @cleogirl2525, @JanRobertLeegte, @liasomething, @mayaonthenet, @lm_netwebs, @itseieio, @newrafael, @luke_shannon_, and @mollysoda, from the early net .art movement of the 1990s through to artists working online today.02707
- Damjanski 🥳@DamjanskiDamjanski 🥳RT @avant_galerie: meme Reading Club @Paris #2 at L'Avant Galerie Vossen vendredi 11 septembre organisé par @Hugodupl et @Damjanski 😉 @flakoubay01013
- Damjanski 🥳@DamjanskiDamjanski 🥳RT @rhizome: Announcing: WEBSITES WEBSITES WEBSITES! An Exhibition of Net Art: Past, Present, and Future to celebrate our 30th anniversary! in partnership with @artxcode_io & curated by LAN Party (@bennavkim + @benoit_tokyo_), with a sale hosted by @fellowshiptrust 🕸️036014
- Damjanski 🥳@Damjanskithis will be fun:ARTXCODE @artxcode_io📣 ARTXCODE (@artxcode_io), in partnership with Rhizome (@rhizome), presents: WEBSITES WEBSITES WEBSITES! (WWW!), a group exhibition curated by curatorial duo LAN Party (@bennavkim and @benoit_tokyo_), celebrating the website as an artistic medium and marking the 30th anniversary of Rhizome, the pioneering institution for born-digital art and culture. From the playful interventions of 1990s pioneers to the poetic web experiments of artists navigating today’s algorithmically saturated internet, WWW! honors the website as an enduring site of experimentation, identity, and autonomy. Presented as live websites installed physically across the gallery, this exhibition bridges generations of artists to show how the website remains a radical artistic space: one that belongs to no platform and answers to no algorithm. The full artist lineup will be announced on Tuesday, September 1, 2026.1211678
- ARTXCODE@artxcode_io📣 ARTXCODE (@artxcode_io), in partnership with Rhizome (@rhizome), presents: WEBSITES WEBSITES WEBSITES! (WWW!), a group exhibition curated by curatorial duo LAN Party (@bennavkim and @benoit_tokyo_), celebrating the website as an artistic medium and marking the 30th anniversary of Rhizome, the pioneering institution for born-digital art and culture. From the playful interventions of 1990s pioneers to the poetic web experiments of artists navigating today’s algorithmically saturated internet, WWW! honors the website as an enduring site of experimentation, identity, and autonomy. Presented as live websites installed physically across the gallery, this exhibition bridges generations of artists to show how the website remains a radical artistic space: one that belongs to no platform and answers to no algorithm. The full artist lineup will be announced on Tuesday, September 1, 2026.
275023621.1K - Damjanski 🥳@DamjanskiIt would be funny to have a .con domain ending for business that suck like booking.con215518
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