KiM ASENDORF✓

RT @drmiminguyen: Tokyo Art Beat wrote about Tokyo Jazz Club!! 🥹 a former capsule hotel, 1–8 Nov, with @kimasendorf @mitchellfchan @goki_muramoto @qubibi and Standing On The Corner play the opening night 😅🎶

「Tokyo Jazz Club」が8日間にわたって東京・神保町にて開催。旧カプセルホテルを舞台にした没入型アート・パフォーマンスイベント 東京・神保町の旧カプセルホテル全8フロアにて開催。会期は11月1日〜8日

RT @lennyjpg: In New York this week, with a new work, showing at @nguyenwahed. Opening reception: Wednesday 28 October, 6 to 8pm, 504 E 12th St, New York more details soon, come say hi!

RT @drmiminguyen: next at ours: Field @lennyjpg 28 Oct – 21 Nov, 504 E 12th grass, all code, never the same frame twice

RT @LEOS10301: Collected this beauty today! PXL DEX 199 by @kimasendorf .

RT @notvalpor: ZOOM (4hwf) #66 by @kimasendorf, made in 2022 in memory of Herbert W. Franke. It zooms into a noisy framebuffer at different scales and stacks them, turning the iteration of hue values into a cinematic animation. It opens with a line by Franke: "Surprise is an expression of partial ignorance." A system that admits no surprise, rendered as something that keeps surprising you.

RT @drmiminguyen:

RT @lennyjpg: Semiflex, 2024 (in the collection of @Ledger, sent via my official reseller)

pxl pod

monogrid wavetable

moiré suit

asdf

pxl net

🇩🇪

RT @drmiminguyen: 🇯🇵 Tokyo Social Club 2027 Art Fair 🇯🇵 with @qubibien @goki_muramoto @kimasendorf @mitchellfchan

random cargo

RT @graceb_art: monogrid 91, 10.2021 @kimasendorf kim at his very best

RT @fellowshiptrust: Monogrid 0.1 by @kimasendorf Collected by The 137 Collection Before Kim Asendorf’s famous series, Monogrid, was sealed into a fully-fledged body of work, there was Monogrid 0.1. In this deceptively simple artwork, two algorithms share a single surface, one pushing the pixels out of place, the other reinstating them at their origin, creating a momentum reminiscent of a camera pan or stop-motion animation. Every Monogrid that followed was written on top of it. The work is testament to Asendorf’s laser-focus on the form of a pixel itself, and how an artist can embrace it with bottomless curiosity and still be synonymous with simplicity, in the likes of Mondrian and Malevich who came before him, only by other means.

untitled (3)

RT @glimmerdao: Event Horizon #48 // @kimasendorf Kim Asendorf skips sketching and starts every work directly in code. This one is part of a set of 100 he released with Bright Moments Tokyo.

RT @fellowshiptrust: WEBSITES WEBSITES WEBSITES (WWW!) Now on view at 📍 39 Great Jones St, NY @artxcode_io @rhizome Piece → Monogrid 0.1 (2021 - 2026) by @kimasendorf Before Kim Asendorf’s famous series, Monogrid, was sealed into a fully-fledged body of work, there was Monogrid 0.1. In this deceptively simple artwork, two algorithms share a single surface, one pushing the pixels out of place, the other reinstating them at their origin, creating a momentum reminiscent of a camera pan or stop-motion animation. Every Monogrid that followed was written on top of it. The work is testament to Asendorf’s laser-focus on the form of a pixel itself, and how an artist can embrace it with bottomless curiosity and still be synonymous with simplicity, in the likes of Mondrian and Malevich who came before him, only by other means.